In Steffani Jemison’s split-screen video In Succession (2019)-the most recent, longest, and largest work in the multimedia artist’s first show at Greene Naftali in Chelsea-four Black men (it took me a long time to decide there were four), all dressed more or less identically in starched white button-down shirts, khaki pants, and black sneakers, are engaged in a mysterious choreographed activity on the lawn of a large white house (we often see shots of cornices and gables we often see shots of the grass from above).
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